Friday 30 August 2013

Prema Oka Maikam Movie Review

Prema Oka Maikam Movie Review

Prema-Oka-Maikam-review
  • Film : Prema Oka Maikam
  • Producer : Venkata Suresh
  • Director : Chandu
  • Star Cast : Charmy Kaur, Rahul, Saranya Nag..
  • Music Director : MGK Praveen, S.R.Posam


Prema Oka Maikam Movie Rating : fullfullfullfullfull1 Star

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Story

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Analysis :

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Performance :

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Final Word:Coming Soon...
(AW-Sruthi)

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Thursday 29 August 2013

Percy Jackson: Sea Of Monsters 3D Movie Review





Percy Jackson: Sea of Monsters Review
  • Film : Percy Jackson: Sea of Monsters
  • Producer : Michael Barnathan, Karen Rosenfelt
  • Director : Thor Freudenthal
  • Star Cast : Logan Lerman, Brandon T. Jackson, Alexandra Daddario...
  • Music Director : Andrew Lockington
  • Rating :
    fullfullfullfullfull2.5
Thor Freudenthal directed Percy Jackson: Sea of Monsters 3D. Percy Jackson: Sea of Monsters 3D Movie Review brings into prominence that it is the sequel to Percy Jackson and the Olympians: The Lightning Thief -- both of which are based on Rick Riordan's best-selling fantasy book series. Riordan's action- and humor-packed tales are enormously popular with elementary-school readers, yet, like its predecessor, this big-screen adaptation does include violence and destruction-filled scenes (and a few presumed deaths) that could scare younger kids -- even if they're familiar with the story. Unlike the first movie, there aren't any inappropriate references to sexy women otherwise relationships. Ultimately, this is a hero's journey in which a main character along with his friends save each other and vanquish evil.

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Percy Jackson: Sea of Monsters review

Story :

Percy Jackson: Sea of Monsters picks up a year subsequent to the events of the first movie, Percy Jackson and the Olympians: The Lightning Thief, accompanying Percy (Logan Lerman) -- Poseidon's half-human, son of mythological being -- living in Camp Half Blood with his best friends, fellow demigod Annabeth (Alexandra Daddario) and satyr Grover (Brandon T. Jackson). When a Colchis Bull breaches the protective barrier provided by Thalia's Pine Tree (a gods-created tree that grew from the body of a dead young demigod), the tree starts to decay. Without the tree, anyone could enter Camp Half Blood and kill the demigods, so Percy, Annabeth, and Grover decide they must embark on a dangerous mission to the Sea of Monsters (the Bermuda Triangle) to find the legendary Golden Fleece, which has magical healing properties. Yet they're not the only ones trying to find the fleece -- the first movie's villain, half-blood Luke (Jake Abel), wants it, too ... to restore to life the biggest, baddest god of all , Kronos.

Analysis :

Percy Jackson: Sea of Monsters-review
You possibly might already be knowing that Mount Olympus was the home of the Greek gods, yet did you know all you have to do is take an elevator secretly located inside the Empire State Building to get there? I was equally shocked to learn Medusa runs a greenhouse in New Jersey and lotus eaters have taken up residence in Las Vegas. Next thing you're going to tell me is Hell is located in Hollywood. Wait... What? It is?
Based on the popular teen novels written by Rick Riordan, Percy Jackson and the Olympians: The Lightning Thief is anticipating to catch on like Harry Potter at the theaters, so much so the director of the first two Potter features, Chris Columbus, duped Fox into hiring him for the gig. Nevertheless, Fox must have forgotten this was the same guy that directed I Love You Beth Cooper for the studio only a year ago, justifying his talents do have limits, as does the filmed version of Percy Jackson.
Telling the story of its title character, played by 18-year-old Logan Lerman -- a gifted young actor who had an excellent turn in My One and Only -- we learn early on Percy Jackson is the son of Poseidon, yet as it turns out the Gods aren't the stay at home type of parents and Percy has no idea who is father is. This origin story of sorts finds its footing as Zeus's lightning bolt is stolen (not exactly sure how that happens), and the King of the Gods places the blame on his nephew Percy and has given him 14 days to return it or a war of the Gods will begin. Scary right? I mean, warring Gods can't be good and it's represented in the film by a big scary rain cloud (sans lightning of course). Viewing how the Gods serve as absentee parents, a magical training facility is set up in the woods for their half-human, half-god children (referred to as demigods) to bone up on their sword fighting. What they're training rigorously to do is never mentioned, but I guess it doesn't really matter since logic and story details have no real place here. To make up for it the story tries to move along fast enough so you won't notice. So just as soon as Percy joins this band of forest dwellers it isn't long before he learns Hades (Steve Coogan) has taken his mom (Catherine Keener) hostage, causing Percy to set off on the highway to Hell with his half-goat friend (Brandon T. Jackson) and the film's young love interest (Alexandra Daddario).
All of this may sound delightful as well as entertaining in digital ink and after seeing a couple of trailers I expected it to be just that. Regrettably it's just boring. Columbus's direction of this picture is paint-by-numbers. Its only interest seems to be in getting into the core of ratings and doing it as quickly and painlessly as possible. Should the scene call for a big action set piece filled with CGI Columbus delivers it just as expected and as seen in any number of other films like it. Boring. While the idea of Gods and their children living secretly among us is a remarkable thought, this film is as straight to the point as it could be. It accepts its silliness, yet I can't. Too much goes unanswered and what's left is, for the most part, uninteresting. It all boils down to people battling CGI monsters or hurling CGI weapons at one another. So much money goes into the effects that the studio hopes you'll forgive the plot holes. Even worse, outside of a rather cool water-logged finale the effects didn't do much for me either.
Uma Thurman pulled off the Medusa role accompanying a satisfying bit of jeopardize and charm, but her head of snakes was a reason of distraction than making it impressive. Steve Coogan as Hades is inspired casting, and I got a kick out of seeing him in the role subsequent to realizing it was him, yet as the scene progresses he shifts into the passionate God to prove a point and all I could think was Wow, they just wasted a lot of money for a joke that wasn't even funny. The entertainment factor in Percy Jackson and the Olympians: The Lightning Thief is shorter-lived than its long-winded title. The actors play their parts with such lacking liveliness enthusiasm it's hard to ever get into the story, but perhaps that's because there is so little holding the story together there wasn't much for them to get excited about. I've heard the books are entertaining, good thing, due to the reason the movie's not.

Performance :

Percy Jackson: Sea of Monsters-review
The title character, played by 18-year-old Logan Lerman -- a gifted young actor who had an excellent turn in My One and Only -- we learn early on Percy Jackson is the son of Poseidon, yet as it turns out the Gods aren't the stay at home type of parents and Percy has no idea who is father is. To make up for the whole fantasy actions the story tries to further along fast enough so you won't notice. So just as soon as Percy joins this band of forest dwellers it isn't long before he learns Hades (Steve Coogan) has taken his mom (Catherine Keener) hostage, causing Percy to set off on the highway to Hell with his half-goat friend (Brandon T. Jackson) and the film's young love interest (Alexandra Daddario).
Uma Thurman pulled off the Medusa role accompanying a satisfying bit of jeopardize and charm, but her head of snakes was a reason of distraction than making it impressive. Steve Coogan as Hades is inspired casting, and I got a kick out of seeing him in the role subsequent to realizing it was him, yet as the scene progresses he shifts into the passionate God to prove a point and all I could think was Wow, they just wasted a lot of money for a joke that wasn't even funny.
The actors play their parts with such lacking liveliness enthusiasm it's hard to ever get into the story, but perhaps that's because there is so little holding the story together there wasn't much for them to get excited about.
Final Word:Now, coming to the factor that is it any good, Rick Riordan's Percy Jackson series is beloved by both tentative readers as well as die-hard book addicts, so it's a shameful that the movies based on his richly depicted demigod universe aren't nearly as good as his fantasy novels. It's not the cast, due to the fact that Lerman (The Perks of Being a Wallflower) is a terrific young actor -- although at 21 he's too old to play the teenage Percy ever again. That's fine, because it's unlikely the franchise will continue after such a lacking liveliness follow-up to the already less-than-amazing first adaptation.
There's something remarkably telling about checking your watch several times during a movie that's 107 minutes long. There are a couple of bright spots such as when Nathan Fillion pops up playing Hermes and makes an obvious Firefly joke about brilliant shows that are cancelled too soon, and the matchless Ron Perlman playing the voice of blind and starving cyclops Polyphemus -- yet otherwise this entire quest is a rather epic disappointment lacking excellence of the Percy Jackson name. You might watch it, but suggested that you skip the adaptations and just read the excellent books. Now, it's your go! I would rate this movie with 2. 5 star.
(AW:SB)

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Satyagraha Movie Review Wishesh, Satyagraha Movie Review



Film : Satyagraha
Producer : Prakash Jha, Ronnie Screwvala, Siddharth Roy Kapur
Director : Prakash Jha
Star Cast : Amitabh Bachchan, Ajay Devgn, Kareena Kapoor, Arjun Rampal, Manoj Bajpai, Amrita Rao

Music Director : Salim & Sulaiman, Adesh Shrivastava, Indian Ocean


Prakash Jha's “Satyagraha” bears no resemblance to his previous political dramas nor does it entirely bet on Anna Hazare's Jan Lokpal Andolan and it is certainly not a sequel to his last outing “Rajneeti”. Rather, “Satyagraha” is the director's infallible attempt to capture the anguish of hoi polloi, beaten down by corruption and unjust system. It orbs around a movement initiated by the middle class Indians to hammer out a deal with the corrupt system and retrieve transparency in democracy. Prakash Jha spares none in this movie — everyone from the deceitful babus to unscrupulous politicians are brought to book here. An impeccably narrated plot, “Satyagraha” does borrow inspiration from a slew of real-life episodes — “the Anna Hazare movement, the murder of the whistle-blower who exposed the road mafia and the telecom scam, besides highlighting the police attack on public and the candle light protests”, but remains unbiased in its treatment. Realistic, hard-hitting and forceful, Jha's new outing leaves a “hammer-strong impact”.



Story
“Satyagraha” is the story of a Gandhian [Amitabh Bachchan], a go-getter industrialist who epitomizes the modern India shining philosophy [Ajay Devgn], a social activist aspiring to be a politician [Arjun Rampal], a gutsy political journalist [Kareena Kapoor Khan] and a foxy politician [Manoj Bajpai] who would stop at nothing to break the system.

Manav Raghvendra (Ajay Devgn) is a highly ambitious Delhi based entrepreneur who runs a telecom company. His towering aspirations exposes him to the brutal realities of Indian politics and nepotism. Balram Singh (Manoj Bajpai), a conniving politician, wrecks his ideals and ambitions, and wrongly frames him in a tele scam.

Implicated of double-crossing and killing his morals, he loses the trust of his ladylove Yasmin Ahmed (Kareena Kapoor Khan) and Dwarka Anand (Amitabh Bachchan), his ideal and a school principal.
Devastated, Manav decides to hit back at the corruption and launches a protest that soon turns into nation-wide protest supported by Yasmin, Dwarka and Arjun. From here flags off a massive movement to mow down the corrupt system and derail the government.

An unsullied mix of emotions, drama and political satire, Jha's laudable attempt to fit a gigantic act into a cinematic jar is commendable.

Analysis :

For Jha, the veteran of political thrillers, executing a plot as such with aplomb is certainly a child's play. The movie is strewn with several episodes that not only instils anger and disgust for the system, but also keeps you hooked up all throughout.

Brownie points to Jha for deftly including songs in the narrative, with 'Raske Bhare Tore Naina' [Aadesh Shrivastava] and 'Raghupati Raghav Raja Ram' [Salim-Sulaiman] jazzing up the goings-on. Sachin Krishn's cinematography frames the anger and angst with precision. Dialogues are biting, bitter and absorbing.

Performance :

“Satyagraha” is bedecked with ingenious, real performances. Devgn is the body of “Satyagraha” while Amitabh is its soul. And Bajpai is its 'satanic temptation,' doling out a smooth performance, hair-raising in its perfection. Amitabh Bachchan articulates the movie's philosophy - "Janta sarkaar ki malik hai. Malik nirdesh deta hai. Maang nahin karta."

Mr. Bachchan stands unparalleled in yet another stellar performance, one of his bests in the recent times. Ajay breathes fire into the tale poignantly. Kareena is matchless in her role of a strong, fearless journalist. Arjun too delivers a towering performance that shows that the actor has truly come miles when it comes to his caliber. Manoj Bajpai is diabolical and ruthless to the hilt, sashaying the evil streak flawlessly. Last but not the least, Amrita Rao impresses in a noteworthy role, and leaves a strong impact.

Indraneil Sengupta cameo is impressive. Vipin Sharma and Vinay Apte are top notch. Mugdha Godse , Manoj Kolhatkar, Ajay Trehan, Shireesh Sharma, and Girish Sahdev add to the film with their competent performances.

Final Word:

To cut the long story short, Prakash Jha's “Satyagraha” is an engaging, compelling socio-political drama that gapers the stark reality around us. Yet another laud-worthy addition to Prakash Jha's impressive repertoire, “Satyagraha” will go down in the history of cinema as a politically momentous motion picture. This hard-hitting fare is a must-watch!

(AW:Suchorita Dutta)


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